Rodrigo Azaola

My work is an ongoing speculative research on financial power and its factual repercussions over biological timelines and entities.

Among my recent projects are Merchants of time, LA18 x BYOB, Berlin New Media Week; Tremor + SIBs, Money and Violence x University College London (2026); Aesthetics of power, ARC gallery, Chicago; Rethinking the grid, Brick City Gallery, Missouri; Open roads, Captive Portal, Copenhagen; Loot hues, Image Fest, Bogota; Impunity Landscapes, Casa del Lago, Mexico City (2025); Liquidity in Kaugummi im Motherboard, Gr_und x Erratum, Berlin; SIBS x Cinema and financial speculation, UFR Lettres Arts Cinéma, Paris (2024); Debt Architecture, Zentrum für Kunst und Urbanistik, Berlin; Microtransactions (MoneyLab #13), NeMe Arts Center, Limassol; Tremor (Systèmes de circulation), La Chaufferie, Montréal (2023); HCRH 1947-2017, Museo del Eco (2022); Impunity landscapes, École Supérieure d'Art et de Design d'Orléans (2020); Armida, C3 Contemporary, Melbourne (2019); A little better, Airspace Projects, Sydney (2018); 1812-2016, Muca Roma, Mexico (2017); Phantom Pain, SIART La Paz Biennial (2016); etc. Some of the venues where I have also exhibited are the Cité Internationale des Arts, Paris; Centre d'Art Santa Mònica, Barcelona; Havana Biennial, Cuba; Jumex Museum, Mexico City; AS/COA, New York; National Center for Contemporary Art, Moscow; X-Teresa Museum, Mexico City; CCA Wattis Institute for Contemporary Arts, San Francisco, among others.

texts ● contact