I am an artist and writer currently based in Sydney. My work is an ongoing research on the intersection of art, historical narratives and international relations.

Some of the venues where I have exhibited are the Cité Internationale des Arts, Paris; Centre d'Art Santa Mònica, Barcelona; Havana Biennial, Cuba; Jumex Museum, Mexico City; AS/COA, New York; National Center for Contemporary Art, Moscow; X-Teresa Museum, Mexico City; CCA Wattis Institute for Contemporary Arts, San Francisco, among others.

Among my recent projects are Armida, C3 Contemporary, Melbourne (2019);  A little better, Airspace Projects, Sydney (2018); 1812-2016, Muca Roma, Mexico (2017); Phantom Pain, SIART La Paz Biennial (2016); etc.

I’m a founder member of the H. Committee of Human Vindication, better known by its initials HCRH,  an arts collective that operated as a phantom and universal pseudo-organization supposedly founded in 1947. In 2019, a monograph of the collective was published in Mexico with the support of Students 47 Foundation.

I'm also a founder of Modelab, an artistic initiative that explores public space attending its past and current dynamics, with recent exhibitions and talks held at Les Traversées du Marais Festival, Paris (2019); Taipei Artist Village, Taipei (2019); Manila Biennale, Philippines (2018), etc. 

My  writing on art, culture and politics has been published in international magazines, such as Letras Libres, Foreign Affairs, Artslant, etc. Some of my texts  can be found here.






Nothing endures, but change > πάντα χωρεῖ καὶ οὐδὲν μένει > Heraclitus > Time is a child, a child running: the kingdom belongs to a child.